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Showing posts with label Irwin Hasen. Show all posts
Showing posts with label Irwin Hasen. Show all posts

Wednesday, March 21, 2018

Number 2157: The Fox goes to a nightclub

The Fox is another costumed hero who has no super powers. He is Paul Patton, a newspaper photographer with a hidden camera hidden in his chest emblem. The first body cam?

MLJ, who published Blue Ribbon Comics #8 (1940), where this story appeared, cut back its roster of costumed and super heroes over time, and became Archie Comics. While this episode of the Fox seems relatively tame, early MLJ had a reputation for rowdiness.

The Fox was gone after the last issue of Blue Ribbon (#22, 1942), not to be seen until the mid-sixties, when Archie Comics resurrected their MLJ heroes.

Artist Irwin Hasen, who went on to draw Green Lantern for DC and in the fifties drew “Dondi,” a popular newspaper strip, was another of those early comic book journeymen. He died in 2015 at age 96.







Monday, May 22, 2017

Number 2052: Green Lantern and Doiby Dickles go to a costume party

The original (if you prefer, “Earth Two”) version of Green Lantern puts on a costume over his GL costume for a party. He and his dumpy little buddy, Doiby Dickles, take on a villain from the future who landed in America in the 1940s after aiming for another time. Knodar, the villain, is the world’s last criminal! Also the dumbest for missing his time target. (Not much smarter are the future people who put the last criminal in a museum jail, rather than a real prison.)

Speaking of time, Green Lantern’s time as a forties superhero was coming to a close. With this issue, All-American Comics #100 (1948), Green Lantern was replaced on the cover by the Western hero, Johnny Thunder. A couple of issues later, All-American Western would replace the venerable flagship title of Maxwell Charles Gaines’ original comic book line, in partnership with DC Comics. Green Lantern would go on until 1949 with his own title, and until 1951 in All Star Comics, but after that would disappear until the new (if you prefer, “Earth One”) version would appear in 1959. Sheldon Mayer, who had been editor, quit that position to go back to drawing. Issue #100 was the first by editor Julius Schwartz, and the powers-that-be at DC thought some changes in the line-up were in order.

Credits by the Grand Comics Database have John Broome as writer, and Irwin Hasen the artist.













Wednesday, January 04, 2017

Number 1993: Who is..the Fox?

The Fox was an athletic costumed character without super powers. Unless you count having a cool costume containing a hidden camera for taking newspaper pictures of bad guys and evildoers. He was invented by writer Joe Blair and artist Irwin Hasen for Blue-Ribbon Comics, an MLJ anthology comic. The Fox, undoubtedly because of that cool costume, has been revived a few times.

Irwin Hasen went from comic books to the long-running newspaper comic strip, Dondi. Hasen died in 2015 at age 96.

This story, which comes from MLJ’s Blue-Ribbon Comics #9 (1941) is the Fox’s fifth appearance. After a time in the forties MLJ superheroes gave way to the inevitable, and were replaced by the teenage antics of Archie and his pals and gals.







Sunday, September 29, 2013

Number 1445: Strange adventures of the three genius hillbillies and the monster fisherman


There’s a sense of humor in both these stories from Strange Adventures #21 (1952). The three Herbert brothers, hillbillies who speak like, “We’m the Herberts. We’m heerd tell of a war goin’ on! We’m come to jine the fightin’!” are actually much smarter than they originally appear. The second story, which is cover featured with a beautiful illustration by Murphy Anderson, who also drew the story, is a reverse fish tale.

And that second story causes me some reflection. This issue of Strange Adventures is dated June, 1952. The Al Feldstein/Jack Davis story, “Gone...Fishing!” is from Vault of Horror #22, dated December, 1951-January, 1952. It probably went on sale in October, 1951, and if he saw it could have conceivably planted an idea in writer Jack Miller’s mind. In the EC story the “fisherman” is unseen. Perhaps Miller thought it would be fun to show what was fishing for humans.

From Vault of Horror #22. I scanned this from the Russ Cochran reprint, Vault of Horror #11.

It’s just conjecture, but I find the timing of both stories with similar themes interesting.

“The Genius Epidemic” is by Gardner Fox, drawn by Irwin Hasen and Joe Giella, and “The Monster That Fished For Men” is written by Jack Miller, drawn by Murphy Anderson.