Monday, September 17, 2018
The Grand Comics Database has no guesses for the writer or artist for “The Magic Ogre,” from Ha Ha Comics #29 (1946), but it is the same team that created the second story, “Stalwart Swinburne,” from Ha Ha #33 (1946): writer Hubie Karp and artist Al Hubbard. Hubert Karp and Allan Hubbard both worked for the Sangor Studio, which produced comics drawn by moonlighting animators, and were published by the company that became ACG. Hubie’s brother, Lynn, was an artist for Ha Ha and Giggle Comics, and said that besides his comic book work Hubie wrote jokes for Bob Hope and Martin and Lewis.
Al Hubbard went on to draw other features; he took over the Peter Wheat giveaway comics from Walt Kelly, and later he drew “Mary Jane and Sniffles” stories for Dell Comics’ licensed comics based on Warner Bros cartoon characters.
Friday, September 14, 2018
Blackhawk leads his tiny gang, still a potent force for Democracy, against the sinister plot of world Communism.
The Grand Comics Database doesn’t know who wrote the story, but guesses Bill Ward pencilled and inked the artwork for all three stories of the issue.
From Blackhawk #59 (1952):
Wednesday, September 12, 2018
I am not sure if they were written to appear in the same issue, but they both appear in This Magazine is Haunted #15 (1954, Charlton). They are drawn by the same artist, Bob McCarty. (McCarty’s name is sometimes written as McCarthy.) McCarty’s artwork is usually identified by the eyes he drew, which are sometimes confused with distinctive eyes that George Evans drew; but where Evans’s style is slick and unique to him, McCarty’s can sometimes (as in these stories) look cobbled together from different artists’ styles. McCarty worked for the Simon and Kirby studio, and drew various features for comics until at least the mid-fifties. He looks to me to be another comic book journeyman whose work in those days was mostly anonymous.
Monday, September 10, 2018
The Clock had been in comics published by Centaur, then Quality Comics, where he first appeared in Feature Funnies (title later changed to Feature Comics). He helped kick off Crack Comics, where today’s story appeared. The thing I first noticed were the gaudy colors of the stone work in the splash panel. The publisher, Everett “Busy” Arnold wanted more colors in his comic books, because kids liked colors. (Arnold was color blind.)
As I read the story I noticed that the bad guy, Moe Klone (love that name) was on bail for murdering a cop. That made me wonder where in America a guy could be arrested for killing a police officer and be released on bail. Well, nowhere, that is where. Unless the judge is taking a payoff, that is.
The other thing I noticed is Clock’s advice to the Police Captain: “...And a piece of rubber hose applied to the right spots, Captain, should make Klone tell you how he planned to leave the country.” So the Clock is encouraging police brutality! And did I tell you the Clock was once District Attorney? Now retired, and living as a society fop secretly meting out justice and also encouraging the third degree, Brian O’Brien is the man under the mask.
I have a couple of other Clock stories I showed in 2011. You can go to them with the link below.
This story is from Crack Comics #14 (1941).
For two more vintage Clock stories, click on the thumbnail.