Wednesday, November 14, 2018

Number 2259: Sergeant Spook was a favorite, said Mickey Spillane

In a shortened online interview from the magazine Alter Ego #11, author Mickey Spillane talked to Roy Thomas about his time at Funnies Inc writing comic books. The quote from Spillane that is relevant for today's post is, “I did a lot of Sergeant Spook; that was a favorite of mine.” Spillane used his time well in writing comic books for a living. After the war he went on to become one of the best selling authors of paperback original novels with his hard-boiled stories about detective Mike Hammer.

Not only did Spillane get a byline for this episode of Sgt Spook, but the story has a gorilla. What else do I need in making a choice to show it? (I am not happy with Sgt Spook punching the gorilla to train it...but it is a precursor to one of the milder ways Spillane’s heroes solved problems.) You can read more about Sgt Spook at Public Domain Super Heroes.

Spillane wrote constantly because there were a lot of comic books, and many characters in those days. Spillane not only wrote for the comic book packager, Lloyd Jacquet, who formed Funnies Inc, but he moonlighted writing scripts for others. With such a prodigious career, most of it done anonymously, dozens and maybe hundreds of his comic book stories will probably remain anonymous.

I have no information on artist John Jordan, other than he drew for Funnies Inc.

The story is from Blue Bolt Vol. 3 No. 3 (whole number 27, 1942).

Monday, November 12, 2018

Number 2258: Beneath the sea with Chuck Hardy and his gal

Years ago I read about comic artist Frank Thomas, that his comic book career was only four years, from 1939 to 1943. It was likely he was drafted or joined up for duty during World War II. He was born in 1914, so would have been 29 in '43, within the age group of men accepted for military service. Thomas’s style was perfect for the era. After his comic book days were done he was working on his own newspaper comic strips, and ghosting others.

Along with the Eye, the Owl, and Billy and Bonny Bee, Thomas created and drew the feature “Chuck Hardy in the Land Beneath the Sea,” which appeared in Amazing-Man Comics for Centaur. The two episodes I have today are from Amazing-Man #5, but actually #1, and Amazing Man #6, actually #2, both from 1939. Thanks to those folks who collected the Frank Thomas Archives now on Digital Comics Museum and Comic Book Plus, making Thomas’s work available online for free.

Friday, November 09, 2018

Number 2257: The Frankenstein puppet

Writer/artist Dick Briefer breaks the fourth wall, and appears to us in his Frankenstein story from Prize Comics #30 (1943). He claims he hasn’t heard from the monster in some time, and does not know what he is up to, so what we get is a story of a Frankenstein puppet.

Briefer identifies himself in the splash panel as “the guy that does this strip,” and includes some apparent co-workers at Prize Comics. I don’t know whether they are actual caricatures, but Briefer’s version of himself is of a handsome young man. Of all the other characters and many pages he drew for comic books, the Frankenstein character is what he is known for. His Frankenstein went through different versions until his comic book, The Monster of Frankenstein, was finally canceled in 1954: the first an evil villain, the second the funny Frankenstein, and the third the wandering Frankenstein monster who roams the countryside, having encounters with humans.

Wednesday, November 07, 2018

Number 2256: Sally’s bad boy

Sally has the love of a good guy, Frank, but she doesn’t appreciate him. He’s boring...a square! She meets Buck, a night watchman at Shipman’s Department Store, and  that’s where it all goes wrong. Buck is as bad as Frank is good, as exciting as Frank is boring. Some girls like bad boys. Sally does. Sally also likes the presents Buck gives her, but isn’t inquisitive enough about where they are coming from. Buck expects repayment for his gifts to her, and we all know what that means.

I like the pre-fabricated house inside the department store. Just the thing for illicit love after the store doors are closed. But for Sally, it signals the end of her “Side-Street Love.”

This tale of a good love thrown over for a bad boy lover, is from Harvey Comics’ First Love Illustrated #15 (1951). Artwork is by Bob Powell.