Monday, October 31, 2016
Number 1965: A right-on Halloween!
Here are two complete stories from scans of Wrightson’s right-on original art sold by Heritage Auctions. My deep appreciation goes to Heritage.
The original Swamp Thing story was written and drawn for House of Secrets #92 (1971). The artwork was sold by Heritage in 2002 for $31,050.00. "The Monster Jar" was an unpublished story done for Web of Horror #4. It was never published because publisher Robert Sproul gave up on the title after issue #3. The 7-page story artwork was sold by Heritage in 2015 for $19,120.00.
Happy Halloween, everyone! No tricks, just treats from Pappy’s Golden Age.
Friday, October 28, 2016
Number 1964: Witchy women
Someone at Ace Comics got confused (and not just by the events in the stories), and the last two issues of The Hand of Fate are number 25. The Grand Comics Database lists them as #25a (November 1954) and #25b (December 1954). Our stories today are from #25b, which is also the last of The Hand of Fate. As fate would decree, it was the last issue before the Comics Code was implemented in early 1955, and despite their crazy plots, brought about the death of horror comics as we knew and loved them, .
Lou Cameron drew “The Last Hiding Place.” Achieving a near-perfect imitation of Jack Davis’s style, Larry Woromay drew “The Witch’s Wicked Words.” Both of these stories have been shown by Karswell in years past at one of my all-time favorite blogs, The Horrors of it All.
Wednesday, October 26, 2016
Number 1963: Halloween eye-candy from Reed Crandall and Neal Adams
The two stories today are from Creepy #14 (1967), which I missed when it was published, and have not seen until recently. I went into the U.S. Army in late 1966, and did not see most comics published in early '67. Years later I found out what I had missed was Neal Adams’ first story for Warren Publications. Old-timer Crandall had been around since the beginning of the magazine, which is appropriate, since he was around at the beginning of the comic book industry.
In “Castle Carrion,” a sword-and-sorcery* story written by Archie Goodwin (who also wrote the Adams story), Crandall appears to have given Prince Valiant blond hair and taken him to a castle full of the walking dead. “Curse of the Vampire” is drawn in Adams’ dramatic realistic style, with his dynamic page and panel layouts. It followed the Crandall story, so readers got a chance to see the old giving way to the new.
It is hard to describe what impact an artist like Adams had on comic books in the late sixties. There was just no one like him. He had started out drawing comic strips like “Ben Casey, M.D.” and done work for advertising companies before coming to comic books. I have substituted the four pages of original art found on the Heritage Auctions website for the printed versions. Except for re-sizing, I have left them as Heritage presented them. They are pages 1, 3, 4 and 7. The cover, illustrating the Crandall story, is by Gray Morrow.
Crandall had a couple of strokes, and in 1982, after eight years in a nursing home, died at age 65 of a heart attack. David Saunders has an interesting biography of Crandall in his Pulp Artists web site.
*Here are the illustrations Crandall did in '66-'68 for books by Edgar Rice Burroughs, in Crandall’s best pen-and-ink style, reminiscent of illustrators of the past. Warning: some nudity.
Monday, October 24, 2016
Number 1962: Airboy the gladiator
Drawn by Ernest Schroeder, from Airboy Comics Vol. 6 No. 11 (1949). Cover by Dan Zolnerowich.
Here is a story of Tarzan taking a cruise with some ancient Romans. Just click on the thumbnail.
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