Number 1490: Gene Colan's Marvelous Marvel Tales

Gene Colan was a longtime comic book pro, and especially popular during his time with Marvel Comics on titles like Tomb Of Dracula, among several others. Colan came into the field as a young artist right after World War II, and worked for both DC and Timely/Atlas/Marvel before settling in during the sixties for a long run at Marvel. The stories I have today, from pre-Code issues of Marvel Tales (1953-55) show that his distinctive style was present even before he drew superheroes like Daredevil or Batman.

Colan died at age 84 in 2011. “When a World Went Mad” is from Marvel Tales #118, “Vampires Also Die” is from #127. and “While Death Waits” appeared in #131.

Number 1461: Horror without the horrible

Only a few more days until Halloween. Fill up those candy bowls for the visiting trick-or-treaters, but save the best stuff for yourself. Pappy's rule for Halloween: the kids get the cheap stuff.

No cheap stuff for you today. I’m showing all the stories from Atlas Comics’ Marvel Tales #119 (1953). The tales run the gamut from a golddigger/serial killer to mummies from outer space to choosing a new life, to...well, read on.

Unlike most horror comics of the era there aren’t any vampires or werewolves, and the mummies aren’t even Egyptian mummies. All in all it’s a fun issue. There is some variety, even humor to some of the stories. Besides the total silliness of the plot of “When the Mummies Rise,” drawn by Russ Heath, there is a shaggy dog joke ending to “They Gave Him a Grave,” illustrated by Larry Woromay. John Forte’s art is perfect for the serial killer story, “Collector’s Item!” I got a laugh out of the Marilyn Monroe panel in “The New Life!” drawn by Al Eadeh. Mac Pakula wraps up the issue with a story of a killer who escapes earthly justice only to find it in space.

I could not help comparing the cover by an unknown artist to an earlier cover by horrormeister Bernard Baily for Mister Mystery #11.

As a morbid child I used to think of what would be the most terrible way to die. High on my list was being buried up to my chin and set upon by ants. Despite having a higher ratio of skulls to head, the Marvel Tales cover is tepid compared to Baily’s.

Number 993


Don't make a spectacle of yourself


In our two stories today spectacles, meaning eyeglasses and not exhibitionist behavior, play a major part. They are similar, both from Atlas horror comics: "Spectacles of Doom" by Bill Everett and "The Last Look" by Robert Q. Sale. "Last Look" I showed a few years ago, but have re-scanned it for you.

Bill Everett had some fun with "Spectacles of Doom," drawing some very funny characters. I love Everett mixing cartoon exaggeration into his art. Robert Q. Sale was another veteran comic book artist, who at one time shared studio space with Harvey Kurtzman, Will Elder and John Severin. He also mixed in some comic exaggeration--check out his graveyard dead on the last page, with their lolling tongues, or the cucumber-nose baby--and gave a nod to Kurtzman with panel four of page four, which is an homage to "Smilin' Melvin" by Wally Wood from Mad #7.

From Marvel Tales #94, 1949:






From Mystic #31, 1954: