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Showing posts with label Jack Cole. Show all posts
Showing posts with label Jack Cole. Show all posts

Monday, July 19, 2021

Number 2540: Forever ambergris

This story sent me to the Internet to see exactly what ambergris is. All I remembered about  ambergris is it is used in perfumes. Ambergris is now illegal to own because it is from a sperm whale, an endangered species. Ambergris is rare.*

The tale is from Plastic Man #3 (1946). In one scene Plastic Man’s pal, Woozy Winks, walks in on a man with a gun to his head. Eleven years later Jack Cole put a gun to his head, then shot and killed himself. But, it is better not to make connections with a real event by attaching it to a comic book event. I looked up the credits for Plastic Man #3 on Grand Comics Database, and found the writing credit is not given to Jack Cole, but to Gwen Hansen. A very short biography online credits Ms Hansen as a writer/editor for Quality Comics. She was a humor writer, notably on Torchy stories that Gill Fox illustrated. Writer Manly Wade Wellman described Hansen as “a good editor, intelligent, educated, fair-minded, and very pretty.” A photo of her bears that out. With that I leave the subject.















*A couple of weeks after completing this post and putting it in the queue I read an article in the July 2, 2021 issue of The Week magazine: “A group of fishermen from Yemen struck it rich when they reeled in a 280-pound chunk of whale vomit worth $1.5 million . . . the 35-person crew captured a sperm whale’s carcass whose stench suggested the presence of ambergris, a waxy substance produced in the whale’s intestines. They found a massive block of the substance, prized by perfumers because it makes fragrances last longer. They split the money equally, buying new homes, cars, and boats. ‘It was an unimaginable price,’ said one. ‘We are all poor. We never expected this thing would give us such a huge amount.’”

Monday, February 08, 2021

Number 2494: Plastic Man goes classy

 

“Jack Cole and Plastic Man,” is an article about Jack Cole and his art technique on his star feature, Plastic Man. The article is written by Art Spiegelman, who also painted Plastic Man on the cover of the April 14, 1999 New Yorker magazine. Speigelman is the recipient of some distinguished prizes for his two volume Maus graphic novels, including a Pulitzer. The guy knows his comic art.

Speigelman mostly concentrates on Jack Cole’s ability to draw by stretching (literally) his imagination. The main focus is on Plastic Man, with a reference and examples also to his famous True Crime story, “Murder, Morphine and Me.” Some pages in The New Yorker are reproduced in color and sandwiched in with the usually gray-type and long-winded articles of the venerable magazine. While the magazine nowadays occasionally uses super heroes for their gag cartoons, only this issue had one on the cover. In 2001 the article was expanded and released as a book with the same title as the magazine article, Jack Cole and Plastic Man: Forms Stretched to Their Limits. The book is still available on Amazon.com.

I chose “The King of Zing” because it is full of funny stretchy stuff. It also has a stretch I had not seen before. On the next-to-last page Plastic Man stretches his forehead back so his eyes come out from behind his goggles. Cole could come up with such interesting sight gags. 

From Plastic Man #9 (1947):













Sunday, August 16, 2020

Number 2446: The horrors of the Web of Evil

Pappy's First Law of Horror Comics: “The main character shall be as unpleasant and irredeemable as possible.”

Web of Evil was a horror comic from Quality Comics. It lasted 21 issues from 1951-1954. It follows the usual plots of horror comics, making the bad guys truly evil, and the victims sometimes not much better. In each of the four stories in this issue Pappy’s First Law is observed. In the first story the irredeemable bad guy is the last of a family who were evil slave owners. The ghosts of the slaves, along with their giant alligator are there to wreak vengeance.

The second story looks to be inspired by Tod Browning’s infamous Freaks, a controversial horror film from 1932. The other two stories, including the third, drawn (or at least penciled) by Jack Cole and the final tale, both fit into the First Law category. The Grand Comics Database lists no credits for the non-Cole stories.

From Web of Evil #1 (1952):