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Showing posts with label Arturo Cazeneuve. Show all posts
Showing posts with label Arturo Cazeneuve. Show all posts

Wednesday, August 28, 2019

Number 2381: Green Hornet: the mummy done told him

I like stories with mummies. Must be because of my love for mummy movies. This mummy story is from Green Hornet Comics #7 (1942). Grand Comics Database doesn’t know who drew it except to credit artist Arturo Cazeneuve with drawing Green Hornet’s face. I think the rest of it was a job by an art shop. Harvey Comics, as Family Comics, Inc, was licensed to make the comic book of the hit radio show, Green Hornet.

When did a plot to scare people away from the scene of the crime succeed? By that I mean having the crime scene look like something supernatural is happening? I believe such a scene would attract more of the curious, as well as lawmen. Tutankamen (as “Tutankiem”), is the culprit. According to the story, there is a curse on Tutankiem’s tomb, and his mummy is “a thousand years old.” That is at least a couple of thousand years off the real history and death of Tutankamen.








Monday, February 08, 2016

Number 1851: Samson punked by Nazi saboteurs!

Samson, like his Biblical counterpart, gets his strength from his long hair. Here he is shorn of his locks and yet still manages to battle on. His haircut doesn’t last long, as he is able to grow his hair at will. A nifty trick.

This Samson is from Fox Comics, and this story is from Big 3 #4 (1941). It appeared several months before actual hostilities were declared between the Americans and Germans. In this fast-moving tale the Nazis are already up to their sabotage business at the direction of pinpoint-eyed Johann Sanf, who also involves an American mayor in the plot.

Credit for the drawing is given by the GCD to Pierce Rice, with inking probably done by Arturo Cazeneuve, both journeymen from the early days of comic books.














Friday, March 08, 2013

Number 1328: “A whirlwind of flying fists and smoking guns!!”

Black Cat is really Linda Turner, Hollywood movie star, who has nothing to do when not filming but go around in costume fighting bad guys. As a member of the “Evacuation Corps,” Linda goes on a short mission to buy a ranch to keep children safe in case the war comes to California. Naturally, the owner refuses (it isn’t as if Linda asked him; it was more of a demand), and that lack of patriotism gets Black Cat involved. Although Linda tosses in a gratuitous personal insult and seems high-handed in her treatment of the ranch owner, it turns out the guy is in a with a ring of saboteurs. So, owing to the temper of the times, he deserves to get his butt kicked all the way to Berlin. The story, drawn by Arthur (Arturo) Cazeneuve, is from Harvey’s Speed Comics #22 (1942).

This is our last day of Pappy's “War is hell on the homefront” week. All of our stories this week have been from comic books published in 1942, and the subject is the war against saboteurs fought on American soil. I want to continue this theme in the future.








Sunday, July 31, 2011


Number 991



"If you go out in the woods today..."


According to Don Markstein's Toonopedia website, the Flame was created in 1939 by Will Eisner and Lou Fine for Fox Features' Wonderworld Comics #3. This particular episode, from Fox's Big 3 Comics #6, is dated November, 1941. The Flame was gone by January, 1942. A brief flaming career, snuffed out like a candle.

Also according to Toonopedia, the Flame's first appearance pre-dated the Human Torch by a few months.

This story seems old, even for 70 years ago when it appeared, because despite its comic book trappings and superheroics, it's just an old fashioned melodrama. The rich guy will foreclose on the mortgage unless the daughter of his enemy marries him! Baaaaa-hahaha! All he needs is a top hat, cape, and a long mustache to twirl. Wait a mo'...he does have a long mustache when he's in the persona of the monster kidnapper. Ooops. I didn't spoil it for you, did I? I thought the denouement was telegraphed quite early in the story, so if you hadn't guessed you were probably not reading, just scanning the bright primary-colored artwork.

Speaking of artwork, attribution is given to comic book journeymen Pierce Rice and Arturo Cazeneuve.