Number 1013


The Cosmic Secret


Edmond Hamilton, writing here as Hugh Davidson, had a long career in the science fiction, weird tales and comic book field. I believe he wrote mainly, if not all, his comic book stories for DC, under editors Mort Weisinger and Julius Schwartz. The story, "Secret of the Ages" is a fantasy about living for centuries with an "elixir of youth." It's a variation on the type of story I showed Monday, from The Twilight Zone. In "Secret of the Ages" a scientist, Roger Bacon, predicts the scientific miracles that will come to the human race in time. An acolyte, Alleyn (later Allan) Kent takes the elixir, keeping him young for centuries while he follows scientific progress, keeping the formula for the "greatest secret" from his villainous rival.

The artwork is by comic book journeyman John Giunta, who drew comics from the 1940s through the '60s. He died in 1970; Hamilton died in 1977.

From Mystery In Space #2, 1951:

Number 1012


Crandall and Evans in the Twilight Zone


The first issue of the comic book version of the popular TV show, The Twilight Zone, came out in 1961. The entire issue was blessed by the artwork of two top comic book artists, Reed Crandall and George Evans. This shows them at the tops of their form, Crandall penciling and Evans inking. Both had years of experience behind them, and both spent a few years at the ne plus ultra of comics, EC.

This issue was published as part of the Dell Four Color series, #1173, 1961.

Number 1011


Reptisaurus and the jungle love triangle


This entertaining Charlton comic is new to me, even though it was published in '63, when I was visiting the comic book spinner rack in my local drug store every week. I missed a monster book where the monster, Reptisaurus, is almost a bit player in the story, and the main plot involves a love triangle. Rich man, his blonde fiancée, and a white hunter who bags the babe! Oh yeah...they also figured in some Aztecs who worship Reptisaurus.

The artwork is by Montes and Bache. I don't know the work of Bill Montes at all, and what I know about Ernie Bache is that he worked with Dick Ayers during Ayers' original 1950's Ghost Rider days. A quick search of the internet didn't turn up any information on Bill Montes, and all I found about Bache is what I already knew. If anyone knows if these two men are still around please let me know.

A criticism I have is of the ashen gray the colorist made the Aztecs. I know this portrait I found online is heroic, glorified artwork, but it's probably closer to the real Aztecs than Charlton's colorist made them.

There were 6 issues of a Reptisaurus comic in 1962; Montes and Bache drew the last two issues, preceding this "special edition." From Reptisaurus Special Edition #1, 1963:






















Ernie Bache also inked this four-page humor strip from Charlton's Abbott and Costello #5, penciled by Grass Green. Grass was an early member of comics fandom, one of the first fans to attempt to turn pro. Most comics companies were by then closed shops, and what work he got was sporadic at best. I think the Steve Skeates script is funny, and Grass' artwork with Bache's inks serves it well.

Number 1010


The Eerie Mirror Of Isis


Joe Kubert's dramatic early '50s artwork highlights this horror tale, saving it from its major comic book sin, speech balloons in some panels that nearly crowd out the drawings. As always Kubert did the best with the material he was given. In "The Mirror Of Isis" he even got to draw a babe in a brass bra.

From Avon's Eerie #3, 1951: