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Tuesday, December 11, 2007



Number 231



Santa 'shrooms



Santa meets Alice and goes down the rabbit hole in this story from Dell's Santa Claus Funnies #2, 1943. It's a clever reworking of the familiar Lewis Carroll story.The unknown artist also used Sir John Tenniel's classic illustrations as the basis for the Wonderland characters.

It's tempting to throw in a reference to Jefferson Airplane, "White Rabbit," magic mushrooms, Summer of Love, dancing naked in the park, psychedelics, hallucinogens…but that would be cheap and of course at Pappy's we don't go for the cheap, do we? No, we don't. Just because this story got me to pull out my old vinyl copy of Surrealistic Pillow doesn't mean anything, and don't infer anything from it.


















Sunday, December 09, 2007


Number 230


Asylum



From Race For The Moon #1 comes a tale of what happens when a society, unlike ours, can't deal with violent people. They ship 'em off somewhere where they don't have to look at 'em. Oh wait…that is like our society. Oh well. This is one of those science fiction parables that telegraphs the "surprise" ending by page two. Still, it's drawn by Bob Powell, and it's from a comic that's a sentimental favorite of mine.

Harvey Comics' Race For The Moon lasted three issues in 1958. Its title was an attempt to cash in on the Soviet Sputnik satellite launching in 1957, and the stories in the news about space flight and an eventual trip to the moon. I had a lot of interest in the subject in 1958. I was a regular space cadet. Beyond its title, Race For The Moon #1 doesn't have to do with racing to the moon. It's a science fiction anthology, mixing in a couple of reprints with new stories. According to information from the Grand Comics Database, "Asylum" is one of the new stories.








Friday, December 07, 2007



Number 229


The Phantom Of Notre Dame



Reader Steve K. has reminded me that I promised in Pappy's #87 that I'd post this story from Lev Gleason's Daredevil #11, June 1942. Thanks for the nudge, Steve, and if any of the rest of you find any unfulfilled promises make sure to let me know. The memory isn't what it used to be, but then, nothing about Pappy is what it used to be.

This story is a great example of why Charles Biro sold millions of comic books. They leapt off the newsstands and grabbed readers' eyeballs in a vise grip. The cover defines "lurid," and the contents continue the definition. I'm not sure how many comic book stories Biro drew, because he seemed too busy writing, editing and doing covers to draw any of the contents, but this is Biro at his early best. The story has all the elements: super-hero, Hollywood, a monster, murder…all in eye-blistering primary colors.

I'm willing to overlook the lapse of logic as the actor, René Venge, howls, "Owww, my back is broken! I'm a hopeless cripple!" and then goes on to commit murders using acrobatics. Maybe it wasn't really broken and he just needed a couple of Advil. The thing I find completely unnecessary is the lisp of the character, Sandy. Other than that annoying dialect this is a fun story from a prime period of Biro's career.













Wednesday, December 05, 2007


Number 228


Shuddering


To the strains of Danny Elfman's theme from Tales From The Crypt, I descend my basement steps. Anticipation is high; every trip to the basement is a trip into Pappy's past, every box opened, every shelf examined, is an archaeological dig into a half-remembered world. I open a file box sitting on top of a high shelf. "What's this?" I say to no one but the dusty skeletons shackled to the wall. I pull out some old magazines, untouched for years. Fanzines!

Every so often I'll go through and show you some of the fanzines I've hung onto. There wouldn't be enough room in my house for all the fanzines I ever got in the mail if I stored them with my comics, so oftentimes when purging the collection the fanzines went first. I've always regretted it, but while the number of objects to collect is infinite, the space to store them is not.

I got this particular gem, The Shudder Fanzine, in the summer of 1964. It showed up unannounced. I was on the comp list of several fanzine publishers, but didn't know it extended to Birmingham, England, where The Shudder originated, published by cartoonist Mike Higgs. I read the fanzine, but cloddishly did not respond to Higgs, not even to let him know his magazine had arrived and been read.

As you can imagine from the title, Mike's area of interest was in The Shadow and pulp magazines. The fanzine, which is well produced, appears to be a mixture of photo offset and mimeography. The typewriter used had worn keys, which bothered me as letters faded off on their corners, but now I see that as charming in a world of perfect typography thanks to computers. There is an article by Philip Harbottle on the series of Golden Amazon stories from the pulps.





There's a comic section with an article on Captain Marvel. There is even an article on the Salem witchcraft trials, a fiction piece, and then there are a couple of Higgs' cartoons. For a fan artist he seemed a cut above the average. Higgs explains his interest in the Shadow in a one-page introductory editorial: "I first encountered 'The Shadow' about two years ago in a large store pile of old magazines at half price. Among the pile I came across several British reprint editions of 'The Shadow' mystery magazine. I decided to buy one just for something to read. That night having read the story of a weird person in a black cloak and slouch hat, I became a Shadow Fan. I went back to the store the next day and bought the rest of the 'Shadow' mags." Sound familiar? A trufan in the making.

He goes on to explain that only about a dozen British editions of The Shadow appeared, so he had to resort to buying the American magazines for (choke!) $3.00 apiece. He found a contact in the States and was soon getting them at a more "reasonable price." Ah, for those good ol' days of cheap pulps, because no one was collecting them…but I digress. Here's one of Higgs' cartoons, signed as MIK, this one showing his fannish influence.
Beyond the above mention of the Shadow pulps and the cartoons, there isn't anything about the Shadow.
I have read several of the novels over the years, but was never a big Shadow fan. Even so I appreciated Higgs' enthusiasm and the whole tone of the fanzine. Still, The Shudder Fanzine went into storage, and because I didn't send a letter of comment, if there were subsequent issues, I never saw them. Over 20 years later at my local comic book store I noticed this indy comic, Brickman by British cartoonist Lew Stringer. In the lower right corner is a teaser, "Big Thrills with The Redundant Hero by Mike Higgs."


Aha. Brain engaged, memory circuits aglow, I remembered Higgs and The Shudder. The "Redundant Hero" of the title is named The Cloak, but he's a descendant of The Shudder.


If he's still around, and if you know Mike Higgs, let him know about this blog. If you're Mike reading this blog, then I'd like to offer my apologies. Thanks for sending this entertaining and well-done fanzine, and I'm sorry it took me 43 years to tell you that.

*******

By coincidence, after writing the above several days ago, I found this book in the library. It's a graphic novel aimed at children, and the villain is patterned after the Shadow.

Monday, December 03, 2007



Number 227


Christmas with Ma and Pa Hubbard



Uh-oh. It's gonna be Christmas soon and me, the eternal procrastinator, tapping away on my keyboard writing this blog instead of shopping. ¢hri$tma$ ¢o$t$ big money, so I defer it as long as possible. Nowadays in order to spare the hassles of fighting crowds in stores I shop online. As I age it's almost as exhausting using my weakening eyeballs to read my credit card numbers as it is to walk through a shopping mall.

My eyes probably wouldn't be so bad if I hadn't spent my childhood reading comic books in the dark. I ruined my eyes on those damn funnybooks, just like Mom said.

But we were speaking of Christmas, and what's Christmas at Pappy's without the Christmas stories. This year we're starting out the season with wonderfully whimsical, and yet sentimental Walt Kelly and "Santa's Elves Meet Father and Mother Hubbard." It's from the all-Kelly Christmas With Mother Goose, published in 1945 as Dell Comics Four Color #90. Another story from this issue was posted in Pappy's #66.