Black Rider stories used the comic book template, featuring a disguised hero. In this case Black Rider is the secret identity of town physician, Dr Masters.
It is well drawn, as per the Grand Comics Database, penciled by Al Hartley and inked by Jay Scott Pike. If pretty, sexy females were needed at the company that eventually became Marvel Comics, they weren’t drawn any better than by those artists, in this case working together. The story is credited to Robert Bernstein, a writer who worked in comic books for decades.
From Black Rider #13 (1951):
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Emperor Napoleon III was deposed in 1870, providing us with a approximate date for the events in this story.
Really, the Black Rider wasn't a vigilante. He stayed well within the limits declared by an existing institutional framework, as opposed to his meting-out summary justice or providing independent law enforcement beyond what the law allowed. In the case of this particular tale, the only reason for him to adopt the guise of the Black Rider (as opposed to fighting crime as Doc Masters) was that he could call upon the reputation for competence of the Black Rider. The vigilantes were the misled folk who thought that they would be justified in killing de Grieux for murder. The story is thus one of anti-vigilantism.
The explanation provided in 9:5 by de Grieux for his behavior is silly. Plainly, the key might have been stolen for reasons that represented no threat to Drake or to Murray; it would be absurd not to tell the Black Rider that the key were missing; and it would be absurd not to try to prevent the missing key from being used by an opponent.
It was quite something to have the Black Rider taunting Logan in the final panel — not only telling him that he would hand, but twirling a noose.
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