Monday, May 23, 2016
Issue #2 of Lorna the Jungle Queen #2 (1953) introduces us to Lorna’s boyfriend, the “mighty white hunter, Greg Knight.” Greg is a guide, leading rich “sportsmen” to unwary prey for the purposes of bagging trophies. Lorna is in the background for most of the story, watching and listening.
Greg is a male chauvinist. From this point on his relationship with Lorna is that of a downer, a naysayer telling her a woman can’t do what a man can, all while Lorna is pulling his keister out of one mess after another.
The story is by Don Rico, the pretty artwork by Werner Roth.
Friday, May 20, 2016
Anyone who knows the Atom in his 1961 incarnation knows the two characters have nothing in common. The second Atom can make himself small and retain his mighty wallop. I have said that DC used the old name, but appropriated the powers of Doll Man. Doll Man had been moribund since 1953, and then the publisher, Quality Comics, was sold to DC in '56. Doll Man was a direct influence on the modern Atom, but at least they owned the rights to the character they were swiping from. As it turned out, Doll Man did show up in the DC Universe again, but that isn’t a concern here.
Wednesday, May 18, 2016
While reading this little essay on the shallowness of some men the phrase “trophy wife” came to mind, The artwork is by L.B. Cole, whose glossy style lends itself to pretty characters. Faye needs plastic surgery and complains that her face is completely different, but to me it looks exactly the same after surgery as before. It must’ve puzzled Cole when he read the script. Make her beautiful still, but different. Cole’s figures look like they are out of magazine ads. Michael and Bob (the doctor who performs the surgery, and falls for Faye) even look alike, down to the unfortunate use of the same colors for their suits. In that way it seems Michael’s prejudices have rubbed off on Faye.
From All Romances #1 (1949):
More L.B. Cole, this time with a Toni Gayle story. Just click on the thumbnail.
Monday, May 16, 2016
John Rosenberger, who drew the feature, was not an artist I associated with superheroes. Robert Bernstein, who created and wrote the Jaguar stories, was a journeyman scripter who wrote a lot for DC. And in reading this story from Adventures of the Jaguar #3 (1961), it has some of the same genial goofiness I expect in DC Comics of that period.
*I haven’t forgottten that when Archie Comics were born as MLJ Comics, their early line was made up of superheroes, including the Shield, the Wizard, Black Hood, Hangman, and several others. When they revived those characters as the Mighty Heroes in the mid-sixties I believe they failed because of the art, and presenting the characters as “camp.”