Friday, December 13, 2013
This story, made to hype the Stuntman comic (see the ad that precedes the story), appeared in All-New Comics #13 (1946). The advertised Stuntman #3 did not make it to newsstands, but a “stunted” edition of 24 pages, printed in black line, was mailed to subscribers.
I give Jack and Joe credit for trying. Up until the late fifties they periodically introduced superheroes, including Fighting American, the Fly, and a revival of the Shield, only to find they all had shortened careers. After that, especially for Jack in the sixties, the rest is history.
Wednesday, December 11, 2013
Boris Karloff Tales of Mystery was a title of the 1970s from Gold Key/Whitman, which featured monster stories. What I remember about it from seeing it on the comic racks of its era was the art in each issue seemed uneven to me, a problem I found with most of the anthology comics of the time.
These two stories I found interesting and well drawn. “The Eternity Monster” is from issue #60 (1975), drawn by José Delbo; “The Axeman and the Taxman” is from #68 (1976) and identified (if you can call it that) as being by “West Coast artist?” by the Grand Comics Database.
There are more Boris Karloff monsters at Karswell’s The Horrors Of It All.
Monday, December 09, 2013
The premise is fairly simple, involving those obnoxious chain letters, scams that used snail mail years ago, and then through e-mail. But the ending is one of those “What th — !?” denouements that defies explanation. It comes out of left field, that’s for certain.
Grand Comics Database doesn’t have any guesses on the artist, nor do I.
***********Ellery Queen, played by actor Jim Hutton, had a 22-episode run as a TV series in the 1975-76 television season. I enjoyed the show except for one episode, “The Adventure of the Comic Book Crusader,” putting Ellery at odds with a nasty cartoonist played by Tom Bosley, who is doing an Ellery Queen comic book. The story is set in 1947.
I watched the episode again recently as part of a DVD set of the series, and my opinion of the episode had not changed. The producers hired some hack to do the supposed “comic book” artwork, and said hack just swiped Jack Kirby. And poorly. My thought now, as then, was why didn’t they just hire Jack?
Not only that, they swiped the Raquel Welch pose from One Million B.C. for the poster of “Lola the Jungle Princess.”
How hard would it have been for someone on staff to do a little research in the production of comics to call DC or Marvel and ask how original comic artwork looks? The story presents the artwork as being large, loose individual panels, put together into page form. Not only did they not do even the most elementary research, they didn’t even do much studying of actual comic books, or they’d know that speech balloons and lettering aren’t this amateurish. A real-life letterer who turned in a job like this would have been fired on his first day.
It shows how much this television episode bothered me that nearly 40 years later I’m still bothered. Maybe at the time it was originally aired it gave some industry pros a few laughs.
I featured the other story from this comic some time ago. Just click on the thumbnail.