The Black Condor, in one of the captions from today’s story, is said to be “the only man in the world endowed with the gift of flight.” In the self-contained universe the Black Condor occupied in
Crack Comics, there is no room for any other flying men...well, except for the kite men, who can throw lightning bolts and bring down buildings. Despite the fine Lou Fine artwork (yuk-yuk), the story is fairly typical humdrum mad scientist with a hideout, directing chaos from a mountaintop
Madam Fatal, at least, is one of the most non-traditional comic book heroes ever, because she is really a he in women’s clothes, masquerading as an old woman. The story of artist Arthur Pinajian is even more interesting. After leaving comic books he took up painting, at which he was unable to earn a living. He never married, and lived with his unmarried sister until he died. After he died over 3000 pieces of art were found when his former home was sold, and Pinajian was at last discovered. As the late art historian, William Innes Homer wrote of Pinajian, “He pursued his goals in isolation with the single-minded focus of a Gauguin or Cézanne, refusing to give up in the face of public indifference.
“He was passionate and unequivocally committed. Ultimately, Pinajian's work reflects the soul of a flawed, yet brilliant, artistic genius. When he hits the mark, especially in his abstractions, he can be ranked among the best artists of his era.” Just as Madam Fatal was unusual for mainstream comic books, so was Pinajian's posthumous success in the rarified air of the art world.
Finally, the Clock ticks along in another story by George E. Brenner. The Clock is a very early masked vigilante character, who was created in 1936. Brenner left the feature when he became editor of
Crack Comics, and the Clock chimed his last in 1944.
All stories are from
Crack Comics #6 (1940):
