tag:blogger.com,1999:blog-31723906.post8331206329922201287..comments2024-01-28T22:17:29.551-08:00Comments on Pappy's Golden Age Comics Blogzine: Number 2375: The Black Condor...he’s so Fine!Pappyhttp://www.blogger.com/profile/01977289662431694607noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-31723906.post-14775961117132608442019-08-20T15:02:32.274-07:002019-08-20T15:02:32.274-07:00Brian, Daniel, when Fine went on to advertising it...Brian, Daniel, when Fine went on to advertising it was a good career move, I am sure. <br /><br />When I look at Alex Raymond's Flash Gordon artwork I "see" (mentally) the photos I have seen of Raymond drawing from models. Using models and photos of poses is fair use for artists, but I don't think a lot of comic book artists would have had the money to hire <i>model</i> models (those models whose job is to pose for artists or photographers). It would also be time consuming, considering the amount of pages an artist would have to produce to make a living. So most artists just compromised and swiped the art of artists like Raymond, who used models. My guess is Fine probably used models while producing work for advertising. Having his work on a comic book cover must have boosted sales, and I have no idea what the pay was, but it was probably peanuts compared to his advertising work.Pappyhttps://www.blogger.com/profile/01977289662431694607noreply@blogger.comtag:blogger.com,1999:blog-31723906.post-70144042496231044442019-08-15T05:39:32.368-07:002019-08-15T05:39:32.368-07:00Another 'blogger went rather far in treating F...Another 'blogger went rather far in treating Fine as simply an imitator of Alex Raymond … <i>but</i> … Fine didn't simply have a style influenced by Raymond at this stage; as Raymond's style evolved (in ways that I consider regrettable), Fine's style took a parallel path. Perhaps that were more a matter of each artist independently responding to a changing market, but there is an appearance that either Fine lacked confidence in his ability to find his own way, or opportunistically used Raymond as a windsock. <br /><br />In any case, I was first exposed to Fine's comic-book illustrations in Steranko's <i>History</i>; and, even in thumbnail reproduction their artistry stood out amongst work largely selected for its visual appeal.Daniel [oeconomist.com]https://www.blogger.com/profile/06763094285750736837noreply@blogger.comtag:blogger.com,1999:blog-31723906.post-62598542313347604282019-08-14T07:18:49.904-07:002019-08-14T07:18:49.904-07:00You can tell why Fine was a good match for adverti...You can tell why Fine was a good match for advertising -- his art is clean and very finely detailed. This is a really great job for a early 40s book, it's dynamic, bright and colorful.<br /><br />The story just bounces all over this place and could have used some editing, but the art makes up for it.Brian Barneshttps://www.blogger.com/profile/15737535617796413548noreply@blogger.com