Monday, December 31, 2012
They're drawn by the Bob Powell studio and written by Gardner Fox. You Su Shan fans will be happy to know that Su Shan is featured prominently in “House of Horror.” The lead story for the issue can be found at Pappy's #1257.
Tonight, while others revel (for whatever reasons people revel when greeting a new year, which is just a date on the calendar, folks), if past is an indication, I shall be rattling off snores to offset the midnight sounds of my neighbors shooting off fireworks or banging pots. That doesn't mean I won't wish you a happy new year, but be careful and we'll all get back together here on January 2.
Sunday, December 30, 2012
Overstreet lists the original U.S. printing as “scarce.” What I'm showing today is a European reprint, according to the indicia a French and English co-production. It was printed in black line in France. Uneven ink distribution makes it look fast-and-dirty, and I did my best to clean up the scans. I'd like to thank scanner Jimpy for providing the originals which I used as the basis for this presentation.
The Grand Comics Database provides information on writers and artists based on an American reprint from 1987, and who am I to disagree? They have a bunch of question marks, giving their ? credit to several artists including George Evans, Kurt Schaffenberger and Peter Costanza, and a ? inking credit to Jack Kamen. The artist I mainly see is Schaffenberger, but I'm not discounting their guesses. I've learned in my time doing this blog that with comic books and their production sometimes several hands went into getting a job done. While identifiable styles may peep out here and there, often the real credits can only be guessed at.
I stopped counting (after a dozen or so) how many times in the story the extraterrestrial is called the man from Planet X. Not “the alien” or “the spaceman,” which would be less cumbersome. In my case, after seeing the movie all those years ago I called him the man with the papier-mâché head.
Friday, December 28, 2012
That idea I can accept, or at least suspend my disbelief for a moment; it's the idea that the Blackhawks, in their private aircraft, are delivering supplies to a country in Indo-China I can't accept. So where in those aircraft are they putting said supplies? Ah, those comic book plots...
Bill Woolfolk is given credit by the Grand Comics Database for the writing, and the art is credited to Harry Harrison, of all people. That is a surprise to me. I haven't seen enough penciling by Harrison to be able to tell, although as usual in Quality Comics, pencils can be often nearly buried under an inker’s style, and that artist isn't identified.
The subject of identifying comic book writers and artists gives me a chance to give a plug to a deserving blog. I've learned quite a bit about identifiers for several writers and artists from Martin O'Hearn in his Who Created the Comic Books?. Martin is certainly knowledgeable, and I recommend his entertaining and informative blog.
From Blackhawk #15 (1947):